First Love 1986 - Huge
Alberto Vargas
Limited Edition Print : 14 Color Continuous Tone Lithograph on Opalesque Paper
Size : 40x27 in | 102x69 cm
Framed : 42x28.5 in | 107x72 cm
Edition : From the Edition of 200
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🔥1986 Huge Framed Lithograph - A Steal $$$$$$$
Year1986
Estate SignedLower Right
Condition Excellent
Framed with PlexiglassBlack Anodized Aluminum Frame, No Mat
Purchased fromDealer 1987
Provenance / HistorySan Francisco Art Exhange
Story / Additional InfoThis painting is historic in that it was the very first Vargas Girl ever published by Esquire magazine. It appeared as a gatefold in the October 1940 issue. This blonde beauty, whispering words of passion while lying on a bed of satin, introduced our nation to Alberto Vargas' legendary all-American girl, images that would become a part of our culture for many decades. Originally published as an Esquire Gatefold in October, 1940. The original painting is part of the permanent collection at the Julia Spencer Museum at the University of Kansas.
These beautiful museum-quality continuous-tone lithograph prints were printed in two different versions (as separate editions) with distinct finishes. The Arches Edition was printed on ARCHES Watercolor paper, an archival, 100% cotton paper with a matte finish.
Certificate of AuthenticitySan Francisco Art Exchange
LID156249
Alberto Vargas - Peru
Art Brokerage: Alberto Vargas Peruvian Artist: b. 1896-1982. Alberto Vargas was born in Arequipa, Peru, in 1896, the son of a successful photographer, and was educated in Switzerland. Arriving in New York in 1916, he was determined to stay in America and pursue what became an illustrious career. Alberto Vargas' name has become synonymous with pin-up girls, but in the early 1940s, he was just a guy hired by "Esquire" magazine to imitate departed star George Petty, who bolted over pay. Vargas initially aped Petty's sleek women with their telephone posing and large-hat lounging; soon, however, Vargas' own distinctive, delicate watercolor style emerged. His wide-eyed wonder- women rivaled Betty Grable as the ultimate pin-up girl of World War II. Vargas (who signed his Esquire work "Varga") had already achieved some notoriety for his Ziegfeld Follies and movie poster art. But "Esquire" made him famous, though he was paid poorly and, like Petty, eventually quit. Vargas was given a second shot at fame and fortune by longtime fan Hugh Hefner. Alberto Vargas' regular "Playboy" slot in the 1960s and '70s elevated Vargas to a pinnacle eclipsing Petty. One of the true giants of American illustration, Alberto Vargas has created an art style so sensuous, so exquisite, that for the past six decades his magnificent paintings of women have come to embody the fantasies of three generations of women and men around the world. His work also appeared in "Harper's Bazaar", "Theatre Magazine", and "Tattler". Alberto Vargas passed away in December 1982. Original paintings and hands signed lithographs wanted.