Beverly Pepper

Art Brokerage: Beverly Pepper American Artist: b. 1922. Beverly Pepper (born December 20, 1922) is an American sculptor known for her monumental works, site specific and land art. She remains independent from any particular art movement. Pepper was born Beverly Stoll on December 20, 1922, in Brooklyn, New York. At sixteen, she entered the Pratt Institute in Brooklyn, New York to study advertising design, photography, and industrial design. She then embarked on a career as a commercial art director. She studied at Art Students' League and attended night classes at Brooklyn College, including art theory with György Kepes, who introduced her to the work of Lasló Moholy-Nagy and Man Ray. It was also at this time, in her mid twenties, that she met the environmental artist Frederick Kiesler. Drawn to post-war Europe in 1949, she studied painting in Paris at the Académie de la Grande Chaumière. There she attended classes with cubist painter André L'Hôte, and with Fernand Léger at his atelier. She also visited the studios of Ossip Zadkine and BrâncuÈ™i. Pepper began her career as a painter, but after a trip to Angkor Wat, Cambodia in 1960, she was so awed by the temple ruins surviving beneath the jungle growth that she turned to sculpture. She made her debut in 1962 with an exhibit of carved tree trunks at a gallery in Rome. Pepper introduces her sculptural vocabulary with integrations of wood carvings and metal castings. All of Pepper's sculptures from the beginning of her sculptural career were displayed outdoors. Eventually, she began her experiments using earth to contain a sculpture. "In the seventies I developed the concept of "Earthbound Sculptures", that is sculptures seemingly born in or rising up from the earth." Becoming more involved with her native New York in the 1970s, her progressive ideas became realized in commissions such as her seminal work Amphisculpture (1974-76). Furthering her vocabulary in steel, throughout this time period she used Cor-ten steel. Relishing in the exposed rusted surfaces of Cor-ten, she made pieces like Dallas Land Canal (1971-75). She was, in fact, one of the first artists, if not the first, to incorporate Cor-Ten steel into sculpture. Later in the 1980s and 1990s, she made works such as Cromlech Glen (restored in 2003), Palengenesis (1993-94) and Sol i Ombra, (1987-92). Recently, Pepper completed another park project for the city of Calgary, Alberta, Canada Calgary Sentinels and Hawk Hill (2008–2010). Sculpture listings wanted.