Herbert Morton Stoops

Art Brokerage: Herbert Morton Stoops American Artist: b. 1888-1948. Herbert Morton Stoops was born in 1888 in Logan City, Utah. At some point in Herbert's childhood the Stoops family moved to a ranch in Idaho - then a wild, sparsely populated land, and home to the most spectacular scenery in the United States. Native American tribes roamed Idaho's plains and mountainsides. Stoops grew up during the twilight of the Old West, amidst ranchers, miners, cowboys and Indians - larger-than-life characters who would people many of his illustrations and paintings. The open sky was his earliest canvas, and his artist's eye studied the proportions of oxen, cattle, mules, and above all, horses - wild or tame, standing still or galloping hell for leather, it didn't matter; Stoops was able to imbue his two-dimensional horses with a spirit of snorting, straining, three-dimensional life. Young Herbert went on to pursue a higher education, attending Utah State College, where he graduated in 1905. In college he took his first formal art classes. This early training - added to his innate ability and the vibrant images he'd been stockpiling throughout his youth - appears to have stood him in good stead, because by 1910 Herbert Morton Stoops had already gained employment as a staff artist for the San Francisco Chronicle, and later, for the San Francisco Examiner. After the war, Stoops moved to New York City and married Elise Borough. Under the tutelage of Harvey Dunn, Stoops applied his early experiences to canvas and paper, becoming one of the most sought-after illustrators of his day. By the early '20s, oils by Stoops were featured in Cosmopolitan and Good Housekeeping alongside the works of illustration giants. He began painting covers for The American Legion Magazine, a publication for which he would work constantly in the years to come. Stoops had been a contributing artist to the pages of Blue Book previous to World War I, but editor Donald Kendicott soon took notice and assigned him a cover. In 1935 he commissioned Herbert to paint all of Blue Book's monthly covers. Their creative collaboration would last until the artist's death. In 1940 Stoops received the Isidor Medal from the National Academy for his work, Anno Domini, which depicted the ravages of war on refugees. During World War II he did several posters for the office of War Information. Listings Wanted.