Untitled Abstract 1994 83x42 - Huge Mural Size
Laddie John Dill
Original Painting : Cement on Wood w/ Glass
Size : 83x42 in | 211x107 cm
Motivated Seller Reduced
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🔥🔥🔥Huge Mural Size 1994 Cement on Wood w/ Glass - Inquire - A Real Steal $$$$$$$
Art is in Colorado for pickup or can be shipped
Year1994
Hand SignedOn Verso
Condition Excellent
Not Framed
Purchased fromArtist 1994
Provenance / HistoryPurchased directly from the artist in Santa Monica, CA in 1994.
Certificate of AuthenticityArt Brokerage
Additional InformationMotivated
LID166039
Laddie John Dill - United States
Art Brokerage: Laddie John Dill American Artist: b. 1943. By the time John Laddie Dill was 28, he was offered his first one-man exhibit at the Sonnabend Gallery in New York. Dill's talent and ingenuity have combined to make him a highly regarded national and internationally known contemporary artist. Dill's work is owned by many private collectors and is included in the permanent collections of more than 25 museums.In 1968, while Laddie John Dill was still in school, he and Chuck Arnoldi formed a small framing business, "Acme Framing Company", and the artists engaged in many serious discussions concerning what they considered to be the death of painting. As an apprentice printer at Gemini, located in West Hollywood, Dill had the opportunity to work closely with such established artists as Robert Rauschenberg, Jasper Johns, Claus Oldenberg and Roy Lichtenstein. Dialog between artists of the 1970's resulted in experiments with materials previously not considered traditional art media, such as neon, sticks, wax, cement and the relationship of those materials to each other. Dill then moved on to working three-dimensionally and filled a room in his studio with 10,000 pounds of silica sand. It was there that Laddie John Dill mixed light and sand to create pieces which were more like painting than sculpture. During the 1970's Dill also began experimenting with wall pieces using cement in contrast with the smooth surface of glass. Using natural pigments Dill incorporates, in his work, a wide range of colors from brick reds derived, from iron oxide, coal blacks from black sulphur, yellows and naturally mined cobalt blues. Combinations of these natural pigments create a variety of brilliant but still "organic" colors. Currently he occupies the studio adjacent to Ed Ruscha. Listings wanted by Art Brokerage.
