Le Chapeau épinglé (La fille de Berthe Morisot et sa cousine)
Pierre Auguste Renoir
Works on Paper (not prints) : Re-strike Etching From Original Plate
Size : 4.6x3.25 in | 12x8 cm
Framed : 13x16 in | 33x41 cm
- 🔥Framed Restrike Etching $1,900
OtherSigned in Plate
Condition Mint
Framed with GlassGold Frame With Double Acid Free Mat
Purchased fromAuction House 2020
Provenance / Historytitle- le chapeau epingale first printed in 1910
Story / Additional InfoPublished in "Manet and the French Impressionists" by Theodore Duret, London 1910. A further edition was published in 1914 in "Die Impressionism" in Berlin by Bruno Cassirer. This etching portrays Julie Manet (daughter of Berthe Morisot) and her young cousin, Paulette Gobillard. Both girls modeled for Renior numerous times during 1893.
Certificate of AuthenticityUnknown
LID146873
Pierre Auguste Renoir - France
Art Brokerage: Park West Artist: Auguste Renoir. We can also assist with acquiring an original painting. 1841-1919 Frrench Artist, Pierre Auguste Renoir was an impressionist painter noted for his radiant, intimate paintings, particularly of the female nude. Recognized by critics as one of the greatest and most independent painters of his period, Renoir is noted for the harmony of his lines, the brilliance of his color, and the intimate charm of his wide variety of subjects. Unlike other impressionists he was as much interested in painting the single human figure or family group portraits as he was in landscapes; unlike them, too, he did not subordinate composition and plasticity of form to attempts at rendering the effect of light. Auguste Renoir was born in Limoges on February 25, 1841. As a child he worked in a porcelain factory in Paris, painting designs on china; at 17 he copied paintings on fans, lamp shades, and blinds. He studied painting formally in 1862-63 at the academy of the Swiss painter Charles Gabriel Gleyre in Paris. Renoir's early work was influenced by two French artists, Claude Monet in his treatment of light and the romantic painter Eugène Delacroix in his treatment of color. Renoir first exhibited his paintings in Paris in 1864, but he did not gain recognition until 1874, at the first exhibition of painters of the new impressionist school. One of the most famous of all impressionist works is Renoir's Le Bal au Moulin de la Galette (1876, Musée du Louvre, Paris), an open-air scene of a café, in which his mastery in figure painting and in representing light is evident. Outstanding examples of his talents as a portraitist are Madame Charpentier and Her Children (1878, The Metropolitan Museum of Art, New York City) and Jeanne Samary. Renoir fully established his reputation with a solo exhibition held at the Durand-Ruel Gallery in Paris in 1883. In 1887 he completed a series of studies of a group of nude female figures known as The Bathers (Philadelphia Museum of Art). These reveal his extraordinary ability to depict the lustrous, pearly color and texture of skin and to impart lyrical feeling and plasticity to a subject; they are unsurpassed in the history of modern painting in their representation of feminine grace. Many of his later paintings also treat the same theme in an increasingly bold rhythmic style. Listings wanted.