Cafe in Nice 2017 28x24 - Cannes, France
Vladimir Mukhin
Original Painting : Oil on Canvas
Size : 24x20 in | 61x51 cm
Framed : 28x24 in | 71x61 cm
- 🔥🔥🔥Framed Oil on Canvas - Inquire - A Real Steal $5,000
Year2017
Hand SignedLower Right in Oil
Condition Excellent
Framed without GlassWood Frame w/ Tan Mat
Purchased fromPrivate Collector
Provenance / HistoryThe composition of the painting is constructed diagonally, creating a sense of dynamism and movement. The street seems to lead us into the distance, towards new impressions and discoveries. A bright and cheerful color palette predominates in the painting, with warm shades of yellow, orange, and red, creating an atmosphere of celebration and joy. The figures of people in the painting appear slightly blurred, creating a sense of fleetingness and the transience of life. They sit at tables, drinking coffee, chatting, absorbed in their own affairs and concerns, yet they are part of the bustling urban flow. Light plays a special role, pouring down from the sky, flooding the street and café, creating a feeling of lightness and airiness, as if telling us that life is beautiful and wonderful. Overall, the painting "Café in Nice" leaves a very pleasant impression, imparting a sense of joy and optimism, reminding us of the beautiful manifestations of life.
Certificate of AuthenticityArt Brokerage
LID103157
Vladimir Mukhin
Art Brokerage: Vladimir Mukhin Kazakhstan Artist: b. 1971. Vladimir Mukhin's works instantly win you over with their lyricism, refined lines, light and energy, combining rich dynamics of impressionism and traditional academic painting. Vladimir Mukhin's works are appreciated both by professional artists and art lovers worldwide. Master works can be found in galleries and private collections in Russia, USA, Canada, France, China and Australia. After training at the Penza Art School, Mukhin, an aspiring artist, entered and successfully graduated from the famous Russian Academy of Painting. He remembers that many of his teachers had been deported to this neglected backwater of the Soviet Union as punishment for their artistic aspirations. 'I remember', he says sadly, 'they were proud but they were broken'. In 1986 Vladimir entered the Penza College of Fine Art (400 miles southeast of Moscow). It was here that Vladimir began to realize the inherent conflict of trying to become a great painter under a Soviet system that promoted uniformity. 'The credo of the artist must always be to offer a unique perspective', he says. Listings wanted