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"Velvet Morning 2017 53x50 - Oil on Canvas - Huge" by Vladimir Mukhin - 🔥Huge Oil on Canvas - Inquire - 4 Watchers
Provenance / HistoryThe painting was exhibited at many Russian and international exhibitions and Art Biennale.
Story / Additional InfoFrom the artist: "Velvet Morning is a quiet, intimate scene where light, stillness, and elegance come together. A young woman, lost in thought, remains surrounded by the softness of morning—sunlight, roses, sunflowers, and a cup of tea left untouched. The breakfast elements and the lush bouquet become metaphors for the fragility and beauty of the moment.Executed in oil on canvas, this painting combines delicate glazing on the figure’s face with expressive impasto strokes in the floral and background elements. It merges classical figurative technique with the freedom of contemporary brushwork, evoking the traditions of European realism while speaking to today’s aesthetic sensibilities. Velvet Morning is more than a portrait—it’s a meditation on a moment that will never come again."
Certificate of AuthenticityArt Brokerage
LID113775
Vladimir Mukhin
Art Brokerage: Vladimir Mukhin Kazakhstan Artist: b. 1971. Vladimir Mukhin's works instantly win you over with their lyricism, refined lines, light and energy, combining rich dynamics of impressionism and traditional academic painting. Vladimir Mukhin's works are appreciated both by professional artists and art lovers worldwide. Master works can be found in galleries and private collections in Russia, USA, Canada, France, China and Australia. After training at the Penza Art School, Mukhin, an aspiring artist, entered and successfully graduated from the famous Russian Academy of Painting. He remembers that many of his teachers had been deported to this neglected backwater of the Soviet Union as punishment for their artistic aspirations. 'I remember', he says sadly, 'they were proud but they were broken'. In 1986 Vladimir entered the Penza College of Fine Art (400 miles southeast of Moscow). It was here that Vladimir began to realize the inherent conflict of trying to become a great painter under a Soviet system that promoted uniformity. 'The credo of the artist must always be to offer a unique perspective', he says. Listings wanted
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