Parad Alle 2018 68x46 - Huge Mural Size

Year2018

Hand SignedLower Right in Pigment 

Condition Excellent 

Not Framed 

Purchased fromArtist 

Provenance / HistoryFrom the artist: "In this vibrant and chaotic artwork, a surreal fusion of figures and elements converges into a vortex of colors and emotions. A zebra, unfazed and majestic, stands amidst the swirling scene, its stark black-and-white stripes contrasting with the explosion of colors around it. Clowns, with exaggerated facial expressions, are painted in bold strokes, their faces blending happiness and horror, creating a grotesque atmosphere. The face of the central figure, lost in deep thought, adds an air of mystery to the scene. Every corner of the canvas is alive with color and movement, creating an unsettling yet captivating effect. Chaotic brushstrokes and striking contrasts evoke a sense of unbridled energy and uncontrolled revelry. The artist masterfully employs symbolism and metaphors to create a multilayered work that is open to interpretation. The zebra could possibly represent calmness and wisdom amidst the chaos. The clowns, with their grotesque smiles and tears, might embody the duality of human nature - laughter and tears, joy and sorrow." 

Certificate of AuthenticityArt Brokerage 

LID150172

Vladimir Mukhin

Art Brokerage: Vladimir Mukhin Kazakhstan Artist: b. 1971. Vladimir Mukhin's works instantly win you over with their lyricism, refined lines, light and energy, combining rich dynamics of impressionism and traditional academic painting. Vladimir Mukhin's works are appreciated both by professional artists and art lovers worldwide. Master works can be found in galleries and private collections in Russia, USA, Canada, France, China and Australia. After training at the Penza Art School, Mukhin, an aspiring artist, entered and successfully graduated from the famous Russian Academy of Painting. He remembers that many of his teachers had been deported to this neglected backwater of the Soviet Union as punishment for their artistic aspirations. 'I remember', he says sadly, 'they were proud but they were broken'. In 1986 Vladimir entered the Penza College of Fine Art (400 miles southeast of Moscow). It was here that Vladimir began to realize the inherent conflict of trying to become a great painter under a Soviet system that promoted uniformity. 'The credo of the artist must always be to offer a unique perspective', he says. Listings wanted