Rio Carnival 2011 54x46 - Huge - Brazil
Vladimir Mukhin
Original Painting : Oil on Canvas
Size : 54x46 in | 137x117 cm
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🔥 Huge Oil on Canvas - 7 watchers - Inquire $$$$$$$
Art can be rolled to save on shipping
Year2011
Hand SignedLower Right
Condition Excellent
Not Framed
Purchased fromPrivate Collector
Provenance / HistoryThe picturesque composition "Rio Carnival" embodies the essence of passionate dance and dynamic energy. A rich symphony of shades ranging from burgundy-red to deep black creates a whirlwind of emotions, where each stroke is like bursts of energy, masterfully conducted by the artist to bring to life the moment of ecstatic dance. Figures adorned with jewels sparkle amidst the chaos of colors, reminiscent of the luxury and grandeur associated with carnival celebrations. Each feather in the background dances to its own rhythm, echoing the passion and spirit of freedom.This canvas of art captivates the viewer, conveying intense emotions and dynamic movement, thanks to its vibrant colors and expressive content.
Certificate of AuthenticityArt Brokerage
LID99199
Vladimir Mukhin
Art Brokerage: Vladimir Mukhin Kazakhstan Artist: b. 1971. Vladimir Mukhin's works instantly win you over with their lyricism, refined lines, light and energy, combining rich dynamics of impressionism and traditional academic painting. Vladimir Mukhin's works are appreciated both by professional artists and art lovers worldwide. Master works can be found in galleries and private collections in Russia, USA, Canada, France, China and Australia. After training at the Penza Art School, Mukhin, an aspiring artist, entered and successfully graduated from the famous Russian Academy of Painting. He remembers that many of his teachers had been deported to this neglected backwater of the Soviet Union as punishment for their artistic aspirations. 'I remember', he says sadly, 'they were proud but they were broken'. In 1986 Vladimir entered the Penza College of Fine Art (400 miles southeast of Moscow). It was here that Vladimir began to realize the inherent conflict of trying to become a great painter under a Soviet system that promoted uniformity. 'The credo of the artist must always be to offer a unique perspective', he says. Listings wanted